TOMORROW is an inverted automobile, abstracted from its
context and presented as an object of perceptual
disruption. The car does not move. It simply exists,
upside-down when it would otherwise be unremarkable.

The inversion invites contemplation: Is the car upside
down, or are we? By suspending the familiar, it offers a
visceral encounter with our assumptions and the realities
we carry forward.

TOMORROW is the direction we always face. A promise, a
deferral, a new day. Here, this forward direction is literally
inverted. What we find instead is the present: strange and
unavoidable.